First of all I need to emphasize
I have chosen this subject because I think Romanian films are unappreciated in
the environment of cinematography. Not many people know that the Romanian
movies after 1989 won many international awards at festivals in Cannes, Berlin,
etc.
An excellent
application with regard to the Romanian films has Freud's theory: suppression
and release. Before ’89 the Romanian culture was in a complete isolation from
another part of Europe (suppression), but after ’89 and thanks the regime
change the Romanian culture “was released”. That’s why we can talk about “New Wave” in Romanian cinematography,
which began approximately in 2005.
Romanian directors shared the same background, having acquired field
experience working for the European productions shooting in Romania due to the cheap labor force. Recognizable for their
minimalist filmmaking, which was often due to scarce resources, they are
faithful to their country and obsessed with authenticity. The films below all
share a preoccupation with Romanian identity and the way in which their country
is moving on after the years of dictatorship.
Because many of the Romanian movies have become a blockbuster, in other
posts I will try to focus (in my opinion) on the most valuable films in
Romanian cinematography.
I recommend the film titled "Of snail and man". It is a story about the men who want to save their factory. They invent unusual way to collect money.
OdpowiedzUsuńBut I hope it's presented "in different way", in a way characteristic for Romanian films. :)
OdpowiedzUsuń